Another blog for recipes

Following the example of Kathy Loomis, whose quilts I admire, I've started a second blog about cooking, focusing on favorite recipes.

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Overdyeing

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Today I did the overdyeing for Accident-2.  Since I was doing this on the cloth alone (no screen stretched over the top), I realized I could do this step on my large padded work table, rather than on the floor.  The photo below shows the top edge of the quilt pinned to the table.  (Ignore the messy splotches on the drop cloth under the piece--it's been through the wash.)  The rest of the piece is hanging over the table and resting on the floor.  After I finished each section (applying the four colors across, from right to left), I pulled the piece up and over the back of the table.  I put a sheet on the basement floor to protect it. I ran a line of thread loosely down in the turquoise section, to mark where I wanted to extend the royal blue.   (I removed the thread as I worked--otherwise it would have served as a resist and left a line in the fabric.) The next photo shows me at about 2/3 down the piece.  Here I'm finishing up scraping on the new l...
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Spliced Lines Sewn into Eighty-Eight Squares: Homage to Ellsworth Kelly II

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Work on this quilt has been going slowly, but I have been making progress. The photo below shows the quilt top, batting and backing layered on and pinned into the carpeted floor in our large guest room. This is where I'm basting the layers together in preparation for quilting. The silvery line at the bottom of the photo is the piece of straight metal I bought some years ago to help me mark quilting lines. This time I used it to help me get the inner black border pinned down in straight lines. Below you can see the basting stitches I've been putting in. These big red stitches will hold the layers in place as I do the machine quilting, and then will be pulled out. (I would usually baste with safety pins when doing machine quilting, but I didn't want to add further weight and bulk to this large quilt.) In a method learned from Suzanne Marshall, I sit on the floor and put in the lines of stitching. I only do about an hour a day, listening to music. I've been at it for a cou...
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In clover

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I've been continuing to print napkins, and am especially happy with a new screen I made that's based on a n old drawing of mine of a clover flower.  This  encourages me to work further with elements from some of my d rawings.  I think the two-tone turquoise with dark blue is especially nice, though the two-ton e base was the result of ser endip i ty:  I had mad e a napkin with a light turquoise base fabric and printed my bowl pattern on in a darker turquoise.  There was not enough of a contrast to make it a successful print, so I printed the c lover design over the top of it with dark blue .  Maybe I should do more like this on purpose. . .   the original drawing, 2012
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