benefits of running out of a fabric

Here's the completed top for the "four-patch stacked posie" pattern (by HD Designs). When I was purchasing fabric for the frames, sashing, and cornerstones, I just estimated the yardage. Turned out I was short on the yellow/gold for the framing of the blocks, and the fabric store is 150 miles away. I had some other fabric that was close enough to work, but I thought I'd try out some assorted reds that I had on hand for the rest of the frames. I'm glad I ran out of the first fabric! I think the combination gives the top more interest. A couple of closeups:

Comments

  1. JanisJune 22, 2010 at 9:03 AM

    I agree that the red gives it a little more zing. Wonderful quilt and design!

    ReplyDelete
  2. Lori ReedJune 22, 2010 at 2:03 PM

    I love it when what seems like a bad thing turns out to be a benefit! That really does add zing and makes they eye flow really interesting!

    ReplyDelete
  3. jill/marnyJune 23, 2010 at 7:32 PM

    Penny, you have a talent for making the predictable a surprise. Its a happy accident but based on you intuit design sense! I really like it. Jill

    ReplyDelete

Post a Comment

Popular posts from this blog

3 works in progress

Image
I'm working on three different projects at the moment, and thought I'd give you a look at each one, over a few posts.  This first one was the last begun but the first finished. I was thinking I would intersperse working on it with the others, but it created such a mess that it took over the studio, so I just kept at it until it was done. This is from a pattern by Rachel Hauser of Stitched in Color , "Confetti." For a background fabric, I dyed some Nature's Way muslin in a pale gray that I like very much. (The color shows a little better in the detail shots below.) I have made two "confetti" quilts long before I saw this pattern, with both of mine done improvisationally. The first was a wedding quilt made for a friend , and the second used the same idea to make "If Only," a wedding quilt for Jeremy . In contrast, Rachel Hauser's pattern utilizes paperpiecing, which pre-determines the position of scraps. I don't think I'd ever do this...
Read more

Project #2: Homage to Ellsworth Kelly, II

Image
Back in 2013, I made a small quilt,  "Homage to Ellsworth Kelly," working from his paintings of colorful squares. You can see an example of one of Kelly's such paintings in the top row of the stamps put out not long ago by USPS--wish I had purchased more! After studying a number of Kelly's  paintings of squares , I decided to use multiple bright colors, along with both white and black, and to place the squares so that value contrasts dominate, but to also have some places where two adjacent squares are close in value. Here's the quilt I made, 36"x36." For quite a while, I've had a photocopied image of another piece by Kelly on my bulletin board, "Brushstrokes Cut into Forty-Nine Squares and Arranged by Chance."  Recently it occurred to me that I had on hand some fabric that might work well for a quilt based on this idea. I had dyed a couple of yards of cotton/linen blend in dark charcoal, but it came out less mottled than I wanted it, so ha...
Read more

Spliced Lines Sewn into Eighty-Eight Squares: Homage to Ellsworth Kelly II

Image
Work on this quilt has been going slowly, but I have been making progress. The photo below shows the quilt top, batting and backing layered on and pinned into the carpeted floor in our large guest room. This is where I'm basting the layers together in preparation for quilting. The silvery line at the bottom of the photo is the piece of straight metal I bought some years ago to help me mark quilting lines. This time I used it to help me get the inner black border pinned down in straight lines. Below you can see the basting stitches I've been putting in. These big red stitches will hold the layers in place as I do the machine quilting, and then will be pulled out. (I would usually baste with safety pins when doing machine quilting, but I didn't want to add further weight and bulk to this large quilt.) In a method learned from Suzanne Marshall, I sit on the floor and put in the lines of stitching. I only do about an hour a day, listening to music. I've been at it for a cou...
Read more