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Wild Geese: Improvisational quilting with Sherri Lynn Woods
I'm delighted to be a stop on the blog tour for Sherri Lynn Wood 's new book, The Improv Handbook for Modern Quilters. I was one of the quilters who volunteered to follow an improv "score" assigned by Sherri, so that she could illustrate the range of quilts that could result from the same underlying guidelines. 165 quilts were submitted and 22 accepted; I'm delighted that mine made it in! In this post, I'll describe the process through which I came to the final composition, talk about what I learned through the process, review Sherri's book, and, last but not least, offer a giveaway of the book to a lucky reader. The score that I was assigned is called "Modern Block Improv." The basic idea of this score is to take a traditional block--here Flying Geese--and to work with it improvisationally. My finished quilt: "Wild Geese" (38 x 40") I had taken a class from Sherri at QuiltCon in 2013, and the class had focused on the same...
Returning to "Homage to Ellsworth Kelly II"
It's over five months since my last post. For the first 2-3 months, it was because on intensive work I was doing on a capital campaign for my synagogue, and all my writing energy was taken up with drafting campaign materials, and then--happily--thank you letters. When I was able to get back into the studio, I needed something simple, that didn't involve much thinking, so I finished up a couple of baby quilts that I'd started a while ago, and started a 4-patch posie quilt with some fabric on hand. At that point, it became clear to me that I wasn't just taking a break, but that I was actively avoiding getting back to the quilt I was in the middle of last summer, my second " Homage to Ellsworth Kelly ." The last time you saw this project, I had completed 82 blocks of a projected 195 (for a queen-sized quilt), and I did a dozen more after this photo was taken. I finally realized that I wasn't up to making another 101 blocks. I had really enjoyed making the blo...
Sometimes you have to try these things to work it all out. That's part of why I enjoy the Twelve by Twelve challenge - I try out the technique on a smaller work that may or may not be used and then have the confidence when I tackle my big pieces.
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