penny-studionotes-2

While I continue to develop screens for printing designs on napkins, I thought I'd also try some folding techniques, while I also tried out a few more colors.  In these seven napkins, each fabric square was dyed one color, low water immersion, and washed out.  Then I soda-soaked again, folded in various patterns, and overdyed with a 3% solution of Dharma's MX Indigo dye.  Depending on the base color, the dark blue Indigo overdye either stayed dark blue (over light blue and lavender) or changed as it merged with the base color (most noticeable on the rust colored fabric, where the orange and blue together turned the darker color to more of a brown).  Here's a record of the folds, starting at the top and going left to right for each row: Light blue base:  a diagonal accordion fold, with dark blue applied in horizontal bands. Gray base: diagonal accordion fold Pumpkin base: folded in half to make a triangle, then accordion folded perpendicular to base of triangle. ...

Last month I wrote about my preparation for a workshop with Claire Benn, working up designs for hand-printed napkins .  Once at the workshop, my direction changed from clean-line designs to something else.  The two above are my favorites, both done by stamping with matte medium to make a paper-laminated screen.  The one on the left used a 3" square of acrylic, the one on the right, a variety of stamps I made in a bowl shape.  The virtue of the paper laminated screen is that it can be made any size (here I'm aiming for an image 18x18), and can be re-used many times.  I've worked with a "paplam" screen once before, a very large one made for Accident II .  In that case, I wrote on words with the matte medium.  So, in addition to stamping, I can also try drawing some designs onto the screen. Below are two more pieces made with the bowl stamps, the first stamping directly with dark blue dye onto lighter blue cloth. In the one below, I stamped with discharge...

Finally, the web site is up.  I've been waiting for the video of David's recital at the opening.  Everything is now there, including photos and commentary on each of the quilts and the text of my short gallery talk, which focuses on the character of abstract art.