penny-studionotes-2

Time to catch up, now that teaching and the art class I was taking are both finished for the year. The collage of cut up images of stones that I did for the art class (last post) led to the fabric collage above, made from cutting up "stonescapes" I did a while ago, appliquéing hand-painted fabric onto linen. (You can see one such piece at the top of this post .) The collage is about 8" x 10." I think this is possibly a good direction to go in, accomplishing more abstraction for stone imagery. I'd like to try more pieces like this, possibly piecing them together into something much larger. But I can't go further on this until I paint some more fabric, one of the things on my list for the summer. I also realize that instead of being limited to the one or two appropriate colors of linen that I can readily find commercially, I can dye the linen myself. So that's on the list too, as well as dyeing cotton yardage in a number of colors to have availabl...

Having put aside "Shelter" for a while, I sorted through other projects that have been in the closet, looking for those that would be good to work on in the context of the art class that I am currently taking ("Drawing in the Expanded Field"). One of the assignment options in the class was to take a found image (like a photograph) and change the size and manipulate it into something new. For this piece (12x18), I photocopied photos of stones, enlarged them, and then cut them up into angular pieces, but with each piece having some kind of curved line on it; then I glued the pieces onto gray paper. I like it. I can also see doing something similar with fabric. In fact, this collage method--and even the shape of the cut pieces--is very similar to the colored panel on the left side of the "Loss" quilt. But my teacher is encouraging me to keep experimenting with paper before moving to fabric--to facilitate rapid testing of a lot of options. I have been wa...

The pressure was on to get the four tiers of "Shelter" put together in time for the talk I gave on Friday, "Study to Studio: Meaning and Motivation in Scholarship and Art." Here they are, roughly basted and pinned together, and the 4 edges also just basted under. (This is the top only.) Things that still need thinking about: the exact curves of the big joins--this is the easiest thing to fix up; the grey fabric worked into the black--this may need to go, also not hard to fix; the bottom right corner--big design flaw. Why did I make the black tier span both bottom and right edges? I think I did it to lessen reference to a kind of rainbow. But I did the final drawing in pencil only, on white paper. I didn't do a small final maquette with fabrics based on that drawing. Sigh. This will be more difficult to fix. I could do a quick fix by folding in the right side about 8 inches: But this results in a vertical composition, not what I had in mind, and the sha...